今天我们将置身于一个完全不同于上周的，小说的世界：《在路上》。
So, today we find ourselves in a very different novelistic world than we've been in for the last week and a half: On the Road.
现在如果还有对这本小说虚构性有所疑问，我想要迅速地让向你们展示两件事情，2007年是《在路上》出版的十五周年。
Now, if we have any doubts that on the Road is mythic in itself, I just want to show you quickly two things. In 2007, on the Road had its fiftieth anniversary of publication.
不管是在逃离（离开）的路上还是在追寻的路上，他们大都“在路上”寻找着自我，寻找着精神家园，“追寻”也因而成为张翎小说的母题。
Whether escaping from the road or in the pursuit of the road, most of the characters search for themselves, and their spiritual home, so "Search" has thus become the motif of the novels.
沿着这一思维逻辑，“现代派”小说最终在形式主义的道路上越走越远。
Along this logic, the Modernist Novel went further and further in the path of formalism.
沿着这一思维逻辑，“现代派”小说最终在形式主义的道路上越走越远。
Along this logic, the Modernist Novel went further and further in the path of formalism.
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